(April 18, 1882 - London, England - September 13, 1977 - Nether Wallop, England)
The celebrated, spectaculary endowed, and magically communicative English-born American conductor (and arranger), Leopold (Anthony) Stokowski, was born into a Polish and Irish mother, but was raised as an Englishman. His famous, vaguely foreign, accent somehow appeared later in his life. The young Stokowski was a precocious musician, and as a child learned to play the violin, piano, and organ with apparently little effort. At the age of thirteen, he became the youngest person to have been admitted to the Royal College of Music. By eighteen, Leopold Stokowski had been appointed organist and choirmaster at St. James', Piccadilly. He attended Queen's College, Oxford, receiving a Bachelor of Music degree in 1903. He moved to the USA in 1905, but returned to Europe each summer for further musical studies in Berlin, Munich, and Paris. When a conductor fell ill in Paris in 1908, he made his debut as an emergency substitute. The impression he made led to a position with the Cincinnati Symphony Orchestra in which he quickly achieved notable success. However, a more tempting prospect faced him when he was asked to take over the Philadelphia Orchestra in 1912. It was during his long and fruitful association with this ensemble that Stokowski established himself as one of the leading musicians of his day. Leopold Stokowski gave the orchestra an entirely new sound, popularly known as the "Philadelphia sound" or the "Stokowski Sound." Its foundation was a luxuriant, sonorous tone and an exacting attention to color. He pioneered the use of "free" bowing, which produced a rich, homogenized string tone. A relentless innovator, Stokowski experimented with orchestral seating, famously lining up the string basses across the rear of the stage and, in an early instance, massing all the violins on the left side of the orchestra and the cellos on the right. He also had spotlights directed on his hands and his impressively prominent hair to enhance his dramatic, theatrical aura. One of the first modern conductors to give up the use of the baton, Stokowski employed graceful, almost hypnotic, hand gestures to work his magic.
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Ludwig van Beethoven
Symphony no 9 in D minor, Op. 125
Anne Brown, soprano
Winifred Heidt, contralto
William Horne, tenor
Lawrence Whisonant, bass
The Westminster Choir
NBC Symphony Orchestra
Leopold Stokowski
part 1-3 (not broadcast) 1941, New York
part 4 (live broadcast) 11.11.1941, New York
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